3R Audio has introduced the first version of Space Designer Manager - an add-on designed to extend the usability of Logic Pro's Space Designer impulse reverb plugin.... Space Designer Manager consists of 2 parts:
On the left side, you find the Generator which batch generates setting files for Space Designer compatible impulse responses. You can process single impulse response files, folders or multiple selections as you wish by drag and drop or the open file dialog. The program will process all files in folders and folders in folders with the format aif, wav, sd2 and sdir.
On the right side, you have the Relinker, which relinks setting files with the impulse responses they were originally pointing to by selecting a setting folder and the according impulse response folder. Relinker lets you choose the right file if there should be any files with the same name.
Space Designer Manager uses Keyfile protection. Its Preferences Drawer lets you set various options for the pst setting file generation. You can decide if you want to use volume and latency compensation or not, and also set the wet/dry levels. The Help Drawer gives you instant information with a single click without having to open a help menu or separate help file. Check the 3R Audio site for more details, and a demo version.
Space Designer Manager is available now for 29 Euros (about £25) until January 1, 2011.
Minimum system requirements: Apple Intel based Mac computer running MacOS 10.6, 1Gb RAM, Apple Logic.
Adopting a biological metaphor, Seaquence lets you create and combine "musical lifeforms" to create compositions. This is a short demo showing how it works:
Project by Ryan Alexander, Gabriel Dunne, and Daniel Massey.
While browsing round on boingboing.net, I spotted this - a new system called AudioScope, that uses an array of 300 time-aligned microphones to zoom into any area of a sports arena....
Not much more in the way of details, but check out this vid!
People are annoying, as anyone caught in Monday's tube strike can attest, however one type stands like a colossus over all other beings when it comes to getting on ones goat..THE MUSICIAN!
Below is a list of things all musical people do which cause mental pain for us normals. "Let him who is without sin cast the first stone"...OK then:
Other members of a band who are not the singer mouthing the words to songs as they play.
Playing covers on London Underground to "entertain" commuters who look like they want to stab them.
Using words like "passionate' and "spiritual" when they talk about music.
Arriving late.
Saying they have no interest in money before selling all the tracks from their concept album about the Holocaust to advertise Special K.
Saying that "every other studio they have been in" lets them run over time without charging extra, eat flaky pasties over the mixer and order everybody about like they are their personal slaves...well fuck off to those studios then!
Having tattoos and torn clothing despite being neither a sailor or poor.
Playing expensive instruments despite being unable to strum an A chord.
Customising said expensive instruments to make them look older and more played..just play it doosh bag.
Testing out guitars in shops.
Saying they like "all music".
Saying their music is "hard to describe", it isn't, it sounds like Coldplay.
Saying they sound a bit like "Jamiroquai", like that's a good thing.
Pretending to be interested in politics and other people.
Pretending to be younger than they are.
Going on and on and on about how much they worship Bob Dylan, Bob Marley, Bobby Womack and if American, Bob Smith (The Cure).
Jamming in E.
Saying "what's wrong with a heavy blues jam?"
Saying music is "not about the technique but the feeling..maaan".
Conversely sending you videos of someone playing Mozart's Requiem on a triple neck sitar at 500 bpm like this is anything to do with music.
Having dreadlocks or saying "aks" when they are not black, street or in anyway rasta.
When successful appearing on Jools Holland.
"Discovering" someone you have listen to for years and droning on about them in the NME.
Being Damon Albarn.
Having hair and glasses like Morrissey.
Saying that music is "a universal language".
Closing their eyes when playing or singing.
Saying they have "connections" or "contacts" in the industry...they don't.
Saying they will produce you if you give them the publishing for all your songs.
Asking how to make their music "louder like on records".
Covering classic deathless songs so badly you wish to stick a screw driver in your ears every time you subsequently hear the original.
Wearing Misfits T-Shirts when they don't like the Misfits..who does?
Telling engineers to make their guitar "sound more purple".
Indie musicians who start listening to jazz and classical music and let this "influence" their "new direction".
Inviting you to their gigs.
Asking you what you thought of their gigs.
Making terrible music no one wants to hear, while the world slides towards capitalist totalitarian world government and the planet dies screaming.
If DJing is your thing, it might be worth checking this out.....
Mixxx is free, cross-platform DJ mixing software. It works with most standard DJ controllers, including the Hercules DJ Console MK2, RMX, and Stanton SCS.3d, but also has a MIDI learn feature, allowing you to use almost anything you like.
It also has support for Traktor Scratch, and FinalScratch vinyl, as well as Serato CD for control from CDJ units.
All in all, looks pretty promising. Head here to check out the rest of its features and to download..
Interesting find this - sonicWORX have released their Isolate software, that can extract the vocals from a mix.....
There's a few vids of this in action on YouTube - here's one at Musik Messe from last year, which shows them separating Peter Gabriel (but making him sound oddly like he's vocoding a pan pipe)..
But this shows them using the software to remove vocals....
An impulse, or "spike" is a short transient, that contains all frequencies (similar to a short burst of while noise). The Impulse Response is a recording of the behavior of the room/device when an impulse is played through it (in practice, a true impulse is impossible to create, so a starter pistol shot is used, or a tone sweep, which is then "deconvolved" to calculate the effect an impulse would have had).
The Impulse response and the plugin input signals are passed through FFT (Fast Fourier Transform) algorithms. The resultant spectra are multiplied with each other, and the product run through an IFFT (Inverse Fast Fourier Transform) algorithm, which makes the signal sound as if it had run through the same room/device the impulse response was recorded through.
What does that mean? Well, if you can get hold of impulse response recordings of, for example, a mic'ed up guitar cab, you can make your signal sound as if it also ran through the same setup - in fact, why not click here for some very cool guitar cab impulses! (GuitarHack IRs).
SoundMagic Spectral is a set of 23 AU plugins, that apparently use real time spectral processing of sound. Not figured out what that means yet, but they're pretty interesting.....
Just discovered this site this morning. Master Tracks gives a band a day to take a track from demo to finished product in a day.....
Producer Moe Berg (the singer from The Pursuit Of Happiness) and engineer Laurence Currie (who's worked with loads of bands, but to be honest, none I've ever heard of) take the band into Metalworks Studios in Ontario, Canada, and each episode shows you the song go through all the stages to final mix.
As we predicted, the new range of MBoxes are out, with a few interesting features....
The MBox Mini doesn't seem like any huge leap,
but the MBox is now offering 96kHz sampling rates, the same soft-clip limiter found in the HD interfaces, a built in guitar tuner, and a "multi' button (we were wondering what that was going to be with the earlier leaked screen shots, but it can be assigned to any Pro Tools control (e.g. tap tempo, play/start etc.) ).
A built-in reverb will make input monitoring easier too.
The MBox Pro supports up to 192kHz sampling rates (though Pro Tools LE only goes up to 96kHz - a sign of things to come? Rumours have already started of more Pro Tools announcements coming in November, and a 004 in January).
Head to Avid's site for a few more details, but to be honest, there's not much more there yet.
Yes! Yes! YESSSSSSS! I AM CORNHOLIO!....... heh heh, huh huh huh...
Accordin to the New York Post, Mike Judge has confirmed they're making new episodes. Just as a taster, here's a trailer for his film from last year, staring everybody's favourite frog baseball players.
Was put onto this a couple of days ago. Want to know if a click track or drum machine was used?......
Head to In Search of the Click Track, put in the band and track title, and it'll give you a plot of timing fluctuation...
A score above 90% probably means a click track was used. It's got some pretty obscure stuff in there, and gets a little confused at times, but it's worth a few minutes of your time.
Though it's not the first music sequencer for a hand-held gaming console (I remember spending hours playing with Pocket Music for the Game Boy Advance - with real Eminem samples!), but the Korg M01 Music Workstation looks like something special.... Check out the vid to see it in action. The specs include:
300 original M1 PCM Sounds
8x multi timbral
8 track 16 step sequencer
1 sequence max 64 pattern,
max polyphonic sound 12
master reverb, delay effect
track overview, sound browser, sequence edit, mixer and keyboard.
Simple and functional display
notes/chords,/drum input mode by touch control
data exchange by wireless transmit
drag & drop transpose
sustained notes
No UK release date, (it's an amazon.jp exclusive at the moment), but we can hope!
De La Mancha created Basic 64: a free software synth inspired by the 8-bit sounds of the classic Commodore 64. It's available as a free VST download for Windows. No Mac version, so I haven't tried it yet... but if you do, feel free to comment! Read on for details.
Features include:
6, 8, or 16 bit sound quality
3 oscillators, with individual ADSR envelopes
Oscillators can be sync'd and ring-modulated by each other
Pitch envelope modulation
Pitch wobble option
2 tempo-sync LFOs to modulate pitch, cut-off and pulse width
LFOs have attack/release curves
Tempo-sync arpeggiator
Flexible routing to state variable filter (LP, HP, BP)
In an effort to give people a "Try Before You Buy" option, Peace Love Productions has released a free 1GB "taster" collection of audio loops and samples in a range of genres, including Hip Hop, Rock, Trance, Chillout, Electro House, Deep House, DJ Scratches, Techno, Ambient, and more.
You need to sign up and verify your email address, before they send you the download link --> PLP Taster
Mixing & mastering: get a pro in, or do it yourself?
It's one of those dilemmas.
In recent years, several online mastering services have emerged (including the famous Abbey Road Studios'), but now a team of professionals takes things one step further (or back), offering a complete mix-down service, and all handled remotely......read on. The team behind Online Music Mixing are four sound engineers whose credits range from The Libertines and Kasabian, Orbital and The Prodigy to Girls Aloud and The Ting Tings. The idea is that, while the likes of GarageBand and Live have led to ever more people making music at home, not everyone can be a great songwriter or musician and a great producer - so the OMM team are there to help.
Prices range from £175 to £450 per track, depending on your choice of engineer. And it's not just a case of firing off a bunch of files and hoping, either: "Effective information exchange is critical," says co-founder Daniel Hulme. "Our aim is to create a one-to-one dialogue between client and engineer, even though it's all done remotely."
If you decide to try OMM's service, please leave a comment with your thoughts!
After several successful events in the USA earlier this year and an appearance at the Midsummer Music Conference in Portugal, Ableton & Novation are bringing their Live Beats series to Europe this September, with 14 events across 8 countries........read on. The Live Beats events are designed for musicians and producers of all skill levels to learn more about using Ableton Live and Novation hardware. They provide an opportunity to receive training from demonstrator Thavius Beck, who will mainly focus on the hands-on music making potential of Live and Launchpad, but will also be showing off other Novation hardware and demonstrating how Automap - the control software that comes with Novation's controllers - can be used to take your Ableton Live sessions to the next level.
At each event, Thavius and local Ableton & Novation demonstrators will be on hand to answer questions, as well as offer tips and tricks on how to get the most out of your software and hardware. There will also be a chance to win a Novation Launchpad and Ableton Live 8 at each event.
Dates & times for Live Beats events:
Tuesday 7th September, Production Room, Leeds, UK, 18:30
Thursday 9th September, Digital Village Clapham, London, UK, 18:30
Saturday 11th September, Teach Music, Rotterdam, The Netherlands, 19:00
Monday 13th September, Just Studio Kulturbrauerei, Berlin, Germany, 18:30
Tuesday 14th September, Just Music, Hamburg, Germany, 19:15
Wednesday 15th September, Hard Rock Cafe, Cologne, Germany, 19:00
Saturday 18th September, Just Music, Munich, Germany, 16:00
I just re-bought a CD by DNA, avant garde punk titans, and it opened up a world of unlistenable New York "No Wave" bands whose only mission statement was to annoy...
In the early 80's a group of bands sprang up who thought punk was growing soft, if indeed it had ever been that tough to begin with. With a foot planted in both the art and the music world these artists blended the two disciplines until music and performance were intrinsically linked in their presentations, as much influenced by Andy Warhol and Jasper Johns as The Ramones and Television. If this sounds all very pretentious it is worth remembering that they all produced an invigoratingly unholy racket as well as talking bollocks...Most considered such punk icons as Patti Smith to be as boring as the mainstream bands that early CBGB's punk was meant to replace such as The Eagles. The No Wave acts consumed drugs, partied and rocked as hard as Led Zeppelin, it's just their music was about a primitive NOW rather than goblins and wizards.
Egg headed pretention-meister Brian Eno picked up on the emergent scene and decided to document it in the epical album "No New York" which gathered together four of the most original groups and spread the nihilistic message. It was originally going to feature 10 acts but featured artist James Chance persuaded Eno that his band and friends were the only people worth featuring proving that rock star egomania thrived even in this defiantly "non rock" environment...
Below are a few of the best No Wave bands, "best" is a loose term, most of them are equally irritating and one of our tutors said DNA should be renamed DNR (Do Not Resuscitate). A good place to get an idea of the world that spawned this underground phenomenon is the film Downtown 81. This is a rambling mildly fictionalised day in the life of graffiti artist Jean Michel Basquiat who wonders about spray painting, looking stoned and running into gigs and rehearsals featuring a selection of No Wave acts including DNA, James Chance, members of Blondie pretending to be a No Wave band, Debbie Harry as a fairy godmother and oddly Kid Creole....
The live clips below are mainly from this film and give you an idea of the quirky energy of No Wave.
DNA
James Chance and the Blacks
Mars
Teenage Jesus and the Jerks
A compilation was released by Soul Jazz called New York Noise which gives a good round up of the main players if you want to investigate further...
All anybody does is make lists these days, not like when I were a lad and you were happy with a piece of coal for amusement, we feel the need to rate everything even in the purely subjective territory of music...so never wishing to be out of the loop I took a straw poll of one and created a few lists of my own...
Best use of a leotard in rock:
Winner: Kate Bush
Runners up:
2) Mick Jagger 3) Freddie Mercury
Best band hair of all time:
Winner: Steel Pulse
Runners up:
2) A Flock of Seagulls 3) Johnny Thunders
Worst album cover of all time
Winner: Mansun - Six
Runners up:
2) Coldplay - X&Y 3) U2 - No Line on the Horizon
Worst video of all time
Winner: David Bowie & Mick Jagger - Dancing In The Street
Runners up:
2)The Pretenders - 2000 Miles 3)Anything by Tool
Worst performance at Live Aid
Winner: Bob Dylan
Runners up:
2) Duran Duran 3) Ultra Vox
Dumbest rockstar face
Winner: Paul McCartney
Runners up:
2) Chris Martin 3) Adolf Hitler
Worst voice of all time
Winner: Jemini
Runners up:
2) Alanis Morissette 3) Billy Corgan
Best music documentary
Winner: The Decline of Western Civilisation Part 2, The Metal Years
Runners up 2) The Devil and Daniel Johnston 3) Dig
Best front man
Winner: G.G. Allin
Joint runners up:
Daphne & Celeste
Best songwriter
Winner: G.G. Allin
Runners up:
2) Burt Bacharach 3) Diane Warren
Biggest penis in rock
Winner: Gene Simmons
Runners up:
2) Jim Kerr 3) Robert Plant
Sexiest punk girl on Youtube
Winner: Girl With A Giant Tongue
Runners up: None as I stumbled on it while looking for Gene Simmons clip...
DUY are giving their Z-Room reverb plugin away for free. Very nice of them....
It's nice sounding, and very controllable - from their site:
•High quality density and diffusion provide an unparallelled sound quality.
•Total control over parameters which had never been available to the user before, with a friendly and intuitive user interface.
•Three modes: Deluxe, Economy and Earlies. The second allows to free processing time, and the third focuses the strength of the algorithm on the processing of Early Reflections.
•An exclusive Rehearsal Mode allows you to set the parameters while hearing the real impulse response of the reverb. This is one of the finest tools to evaluate the quality of the reverb.
•You can choose between several room responses (reverse, gate, hall, room, stage...). All these values can be modified with the Stretch and Pre-delay parameters.
•Processing time is freed when you choose not to include Early Reflections.
•Internal 64-bit processing.
•Independent mixing controls for each of the three selectable bands, as well as for the Direct, Early Reflections and Reverb signals.
•Total control over the iteration depth, with six levels of calculation.
•Over 50 presets are included.
•Z-Room is the only reverb that allows you to control the time base of the reverb's algorithm.
•Visualization of the Direct, Early Reflections and Reverb signals in the time domain.
Head to here to register, and they'll send you the download link. It comes in RTAS, VST, AU and MAS for the Mac, as well as VST for the PC users among you. Enjoy!
Camel Audio has released Planet Earth: a new sample library featuring sounds for electronica, ambient, and dance music producers. Until the end of August you can choose what you want to pay for it - as little as £1! By default, the amount paid is split equally between Friends of the Earth charity, and Camel Audio - but you can tweak the split any way you like.
You get 150 sounds + Alchemy Player VST/AU instrument offering a further 150 sounds.
Puremagnetik has released Max Fuel, the First, a bundle of ten highly refined Max For Live devices, created to work in Live for production & performance, bringing the deeper potential of Max For Live to the end-user without the need to learn Max. The devices fall into three categories: Software Instruments, Audio Effects, and Control Devices. Presets, devices racks, and clip examples are all included in the package.
Retails for $38 (£24).
To learn more, and watch the introductory video, go here.
Nice nipple plates Missy, you truly are a Heavy Metal goddess....Maningrey has been shaking out the dandruff to a selection of classic metal, here are my current faves...and some disappointments...
For some reason I have found myself downloading a load of old metal albums, this is not a genre I have had much experience with but having almost exhausted all the other types of music out there from D n'B, Dubstep, Best of Eurovision ballads and Bag Pipe Dreams play the Moody Blues, I decided to see what all the tattooed 'alternative" hoards find in this racket. I was surprised at how many had stood the test of time and the ones that proved a damp squib.
Metallica - Kill Em' All
Am I the only person who finds later day Metallica either idiotic ("Of Wolf and Man") or dull as two ditches ("The Thing That Should Not Be")? While it was Alchoholica's ability to add new textures to thrash that soon put them streets ahead commercially of the Anvils of this world, it also made them a little tepid. Heavy metal is only exciting when it is completely unaware of its own idiocy or the band are young enough to get away with lyrics such as " No life till leather, We are gonna kick some ass tonight" and sing it with conviction. This blazing debut is rough around the edges with a wasp in a coal mine production but pound for pound it is the most rocking set they ever produced, no acoustic ballads about war, no southern rock boogie, just 9 rifftastic tunes about leather, phantom lords and more leather..Like Judas Priest in no way gay..This little beaut takes no prisoners and in "Seek and Destroy" features two of the best riffs of all time...Motorbreath is still shit however....
Slayer - Reign in Blood
This albums has everything wrong about metal, lyrics about goblins and wizards (sleeves?),no tunes, hundreds of solos and bad hair...but it all works! The best way to describe this album is simply to list the best bits, like a classic comedy it has moments that are constantly quotable...One to embalm and keep!
The cover is awesome, combining the worst bits of Bosch and Bruegel this is a Hell that makes you want to run to your mummy and swear you will never ever be bad again. Also features two giant penises which nobody noticed at the time due to all the gore...
The opening scream like a cat caught in a dishwasher or balls in a zipper.
The opening lyrics to "Necrophobic":"strangulation, mutilation, cancer of the brain, limb dissection, amputation, from a mind deranged!"
The way Tom Araya growls "Enter to the realm of Satan!" in "Altar of Sacrifice" and manages to make it sound scary rather than cheesy. His shouting through out the whole album basically invented the Death Metal "grunt", much more fun than all that Axl Rose style wimpy falsetto.
The way he sings "leave you ripped and torn" in "Reborn".
The rain at the beginning of the final track "Raining Blood".
The two best metal riffs of all time in "Raining Blood" intro and "Angel of Death" middle section.
Soundgarden - Superunknown
After wading through lots of grunge "classics", including the holy scripture that is "Nevermind", I found that only "Superunknown" was actually still any good. Nirvana sound like Bryan Adams, Alice in Chains are always out of tune, Pearl Jam were always shite and Mudhoney, well I just didn't even bother to download any...Everything else Soundgarden did was poor but for some reason the planets aligned and their freaky mixture of Sabbath, psychedelia, unusual scales and colossal vocals were hung onto actual songs and riffs you can whistle as you deliver the milk. Everything is so murky and layered that strange cool bits keep popping out of the mix at unexpected moments like the the squiggly bass riff in the middle of "My Wave". While technically proficient players they use their skills to investigate interesting avenues rather than just showing off, songs are in odd meters with alternative tunings and possibly due to Kim Thayil's Indian heritage the riffs and solos are sitar like with disorientating effects. In fact its only due to Chris Cornell's viking wail that people got this album, everything else sounds like its was destined for cult bargain bin obscurity.
Faith No More - Angel Dust
Faith No more have a lot to answer for; funk metal, baggy shorts, synths in rock and nu metal...But "Angel Dust" is a genuinely weird album on reappraisal. Following on from the huge hit "Epic" which wedged their whiteboy funk, operatic vocals and pomp rock keyboard sound into the top ten of every frat hour beer bust in the US forever, Mike Patton seized control of the band and took the newly christened (by me) "Paedophilia Rock" to the charts. "Paedophilia Rock" is a combination of singing songs in as many styles as possible while avoiding a melody and making you think of old Amish kiddy fiddlers, surrounding this with musical accompaniment from a haunted circus, making every lyric about how depressed and useless Americans are but somehow making it all rock!
All the bands that tried to follow this approach were horrible, Korn, Incubus, Limp Bizkit so yet another crime is added to the list above but in its way this album is more progressive than Kid A as it made experimental music something teenagers wanted to jump around to while Kid A was bought by people who read the Wire..
Megadeth - Rust in Peace
Megadeth were always seen as Metallica's wannabe idiot brothers, mainly because Dave Mustaine was booted out of the first line up of Metallica and his voice was even more grossly unpleasant than even Jemini at Eurovision. But I have to say if you like your songs massively long and complex with lashings of twiddling guitar solos and lyrics bashing politicians, evil wizards and organised religion then this could be the album for you! The solos just keep on acomin' kids, each more technically perfect and more Middle Eastern sounding than the last, oddly reminding me of punk legend's(and kings of alternative cred) Television. It's interesting how some bands fly under the radar of "cool" (admittedly having a grinning skull man on your album covers does not help) while producing music genuinely without boundaries while ultimately dull musical semi literates like Beck gain critical hosannas. The almost Public Image post punk meets King Crimson prog after reading "The Sheltering Sky" racket of "Hangar 18" is the best example...
Pantera - The Great Southern Trend Kill
This is just a raging bracing blast of hate, that makes the Tube journey to and from work entertaining. The singer looks like an extra from "Oz" (best TV series eva my friends), the guitar player is a mountain troll and they played in front of a southern flag like a KKK convention but Pantera made the long slow trudge from awful glam metalers to marginally less awful south rawk thrashers to textured metal gods, best shown on the creepy song below...
System of a Down - Toxicity
Rabble rousing Armenian Americans these guys avoid the sophism of so many alternative metalers (stand up Korn) and plunge headfirst into agitprop finger pointing. Merrily ignoring the ironies of being corporate slaves while bitching about their White Collar American paymasters, a paradox that other "political" bands such as The Clash and Rage Against the Machine never resolved, SOAD take pot shots at all and sundry while never forgetting they are entertainers first and foremost and there to open up teenagers minds not burn cars. Weirdly reminiscent of some of Zappa's more poppy outings this album is lean and wiry where Soundgarden are thick and sludgy, just one guitar a fistful of crazy time changes and strange chords sprinkled with a voice that says "NO" in a really catchy way.
When this was No1 in the States during September 11th it was perfect cultural symmetry.
Here are two "classic" albums that did not make the cut...
Rage Against the Machine - Rage Against the Machine
I know I know, hard to believe! But for such an influential album apart from the obvious classic singles it drags like a stone. Stiff rather than funky every riff sounds like a rip of "The Ocean" by Led Zeppelin, the guitar solos that we all raved about are in fact really annoying, why not just get a turntables rather than making your guitar sound like one? The killer blows to this albums status are the vague lyrics and terrible rapping, Zac De La Rocha makes Mike Patton sound like Slick Rick and compared with the razor sharp poetry of System of a Down it comes across as rather ill informed and juvenile.
Guns and Roes - Appetite for Destruction
First of all "Welcome to the Jungle" does rock and I even enjoyed "Paradise City" (apart from the 'orible synth part) but the rest?? Boring boogie woogie rock like an Aerosmith tribute act, nasty misogynistic lyrics and of course that ear splitting fires alarm screech. Slash does play some fancy solos but you can't help thinking of the ridiculous self parody he is now. Ultimately this is not a million miles away from such tripe as Poison or Motley Crue, G n'R just happened to be better musicians so you get drawn in to their murky world, but take a step back and its a little depressing.
Yeah, take all those iPads, Lemurs, and any other piece of crap they have been trying to pass for a touch-controller until now and throw them all away.
This is the future.
Or rather, maybe not, but it sure should be. In fact what it should be is just like this, except without a touch surface but just projected in thin air and then waving your hands through the projection (I have seen demos of something like that before, but I couldn't find links to that now).
Anyway, I am digressing. Watch this video but don't keep the volume of your computer too high or you will miss the sound of your jaw dropping.
Finished? Good. Now join the club of those asking how much will it cost and where do I get one. It's a very popular club, we're there too.
Some details can be found on this website, and immediately things start sounding less exciting than we hoped. Some guy developed this technology to work as an interface between you and a dj software. It's a few dollars per year to buy (or lease?) the licence to turn any windows powered touch-screen laptop in to a stupid controller for Traktor. So you need a laptop with touch-screen and it will only act as a controller for one specific application, but not on Macs. Which is rubbish already, and it gets worse where no more details are provided of this gorgeous screen being used in the demo. This apparently is a prototype and not planned for production.
So ok, it aint' gonna happen this year, maybe not even next year. Still, watch this movie again and ask yourself what it would be like to have this interface. Think about how a regular powerpoint presentation about sales this quarter or health and safety on the workplace would still make you look like a demi-god. Please, someobody, somewhere, make this happen. And then let's talk about an installment plan. I am starting to save money now.
Well, maybe not as interesting as you might be led to believe from the title of this post, but I promise you it is beautifully addictive.
Add 'Pulsate' to the list of cool things that your eyePod can't do (yes, it's another Flash application) and dedicate a computer to run this web application 24 hours a day, connected to speakers in your zen garden. That's what I am going to do.
Found a couple of cool compilation series that are worth checking out for DJs...
An extensive and attractively packaged series of rare disco compilations have come out under the pleasant appellation Disco Discharge. There are eight titles in the series ranging from the roots of house to Eurodisco. To be honest a lot of it is horrendous but there are sampling opportunities aplenty and many excellent vintage synth sounds on display. My favs are the ones dealing with the German and French side of things, amazing almost prog rock tracks that drone on for 16 minutes or more, disco as a cross between Giorgio Moroder and the smash robots. Usually utterly fantastic until some awful German porn star comes along with a heavily accented whine and starts going on about taking you to "the mystic hills of Katmadu"...
Another good set are the 12"/80's series, again variable quality but some interesting insight into the development of technology and mixing fads. There are a few types of these but I think the ones that are in this series are the best quality.
A friend of mine introduced me to a great series of compilations...
The Superbreaks series covers a vast range of rare funk, soul and hip hop that have been sampled over the years. A friend of mine got into them after searching in vain for the Ernie Hines track below, as sampled by Pete Rock, for ages...
I've been going through a power pop phase, possibly due to the weather, mostly because it makes the hellish tube journey surrounded by grunting sweating cow people bearable on the way to werk...OK OK I'm going a bit Son of Sam, it's this dam heat!
Here is a classic ten track comp of the very best of Power Pop for you...
The Raspberries: Go All The Way
Dig the furry bouffants, Revlon trousers and double necked "axe", Snap your fingers to the groovy graphics and wah wah intro music of the show, revel in the "recorded in a coal mine" sound...Everything you want from a 70's talk show and power pop band! The Raspberries were the rocking grandpappies of all things power and popping providing its basic ingredients namely an Anglocentric love of crunchy guitars from The Small Faces and The Who, a layering of American street corner Doo Wop, short catchy tunes as a reaction against the meandering heavy rock soloing of the time and a desire to get back to when music was fun and made for drinking cokes at the drive in, copping a feel in your dad's caddy...and big big hair and collars..
These guys started with a bang and a top 10 hit as "Go All The Way"'s saucy lyrics escaped the censors in a wash of sweet harmonies (yes they had censors back then kids), released four killer albums that went unbought, then imploded after the brilliant last gasp hit of "Overnight Sensation". The list of classics is endless: "On The Beach", "Tonight", "Ecstasy", "I Reach For The Light"....
Cheap Trick: Candy
After the Raspberries, power pops greatest band, and biggest sellers. In fact the only reason they are not the top pick is their later decent into hair metal horribleness in the 80's with No1 power ballad "The Flame"...Mutated the basic template for PP by beefing up the guitars and warping the previously innocent fun and girls lyrical imagery with tales of pedophiles and gigolos. This song takes suicide as the cheery template but wraps up in jangle and harmonies until the chilling final line. Da Trick also had the amusing conceit of playing up the discrepancies in looks between the dorky guitarist and overweight drummer, who would feature on the back covers of the albums and the interchangeable dreamboat singer and bassist. On one album the dreamboats lounge on custom choppers under the albums title, on the back the uglies are riding tiny midget peddle bikes..
The DB's: Bad Reputation
Coming a bit after power pops 70's peak, The DB's meshed the same basic ingredients as their predecessors but replaced the Doo Wop elements with a gnarly punky attack borrowed from GBGB's band Television. However they still worshiped The Beatles, unlike punks, and were generally superior players, again unlike punks, leading to a new wiry version of classic PP. This song also enshrines the classic PP lyrical subject, the cool girl who is always just out of reach to the inevitably specky singer.
The Knack: Baby Talks Dirty
Oh god should this go on the list?? The Knack had a huge hit with "My Sharona", one of the biggest singles of the 70's which sold like an album. They were then subject to a brutal backlash dubbed "Knuke The Knack", instigated by a press disgruntled by their perceived lack of integrity (who cares?) and sexist lyrics (fair enough). This was the follow up single after the campaign and it scraped the top 40, if The Knack were trying to make up lost ground this unpleasantly catchy ode to picking up teenage sadomasochists was the wrong way to go about it. The gasping mewls in the verses are teeth grindingly obscene, while the fact that singer Doug Feiger looked like a deranged insurance salesman and sings with such lipsmacking relish only completes the package...there is also a negative side...
Tom Petty: Century City
Dear old Tom Petty, was there ever a more silky blonde barnet? The fact that Tom spent his entire career trying to cross Dylan and The Byrds and ends up being ripped off by The Strokes (compare "Last Nite" with "American Girl") only shows how wrong he got it, but in a good way. All of "Dam The Torpedoes" is great but this is the most rocking song, I enjoy the fact that admitting to enjoying artists like Petty will make certain of your friends look at you like you are a rapist, which makes the guilty pleasure all the guiltier and more pleasurable...
Todd Rundgren: Couldn't I Just Tell You
Amid the egocentric jumble of philly soul, garage rock, show tunes and in-jokes that was Todd's classic album "Something/Anything" lay a brilliant stab at ringing power pop. This is a period where even John Lennon referred to Todd as "God" and he just seemed to churn out classic songs, it all went horribly wrong of course...Growing bored with the ease with which he had mastered classic songwriting Todd yearned for greater complexity and formed the hideously misnamed prog band "Utopia", the hits dried up and he ended up joining The Cars...There is a moral here I feel..
The Cars: My Best Friend's Girl
Which brings us to..The Cars! Another basically awful group, like The Knack, who seemingly sold their souls to the devil for the ability to churn out toe tapping new wave. The down side being that most people would rather be flayed alive than admit to liking them. Tall beaky singer Ric Ocasek produced some pretty cool bands like Suicide and Bad Brains so he can't have been all bad but The Cars were a cold hearted hit machine like The Police. It is odd that they were so popular as the underlying sound is of 60's garage rock and bubblegum pop but played by machines who will one day turn on their creators and destroy them...this is their best track before the fear and loathing of "Drive"...
The Nerves: Hanging on The Telephone
These guys produced one four song EP and then broke up so there is not much to tell other than that it contained this track, subsequently a massive hit for Blondie. While the version by Debs and the boyz is fine the jittery clammer of the original is much more effective in conveying the paranoia of the lyric. Two of the band went on to form cult acts The Plimsouls and The Beat (US version not the ska band), while the guy who wrote this vanished into probably very wealthy obscurity...
Blondie: Will Anything Happen
...But not before penning this song which Blondie also covered on the classic "Parallel Lines" album. A fraught tale of unfullfilled rock n' roll dreams, ambition and failure, the song works so well because Deborah Harry seems to have lived every word she sings. Great guitars as well from Chris Stein and Frank "the Freak" Infante, never really mentioned on all time best guitar band lists the Blondie guys could really churn out a racket for a supposed "pop" act.
Big Star: September Gurls
Maybe the definitive power pop anthem, Big Star's first two albums basically invented 90's indie, for better or worse..Needless to say in the era of Emerson, Lake and Palmer their albums sold virtually nothing but their influence is huge. One of the few bands who never recorded a bad song and broke up while still good.
Other bands who have produced at least one classic that fits the power pop template include:
