Showing posts with label mixing. Show all posts
Showing posts with label mixing. Show all posts

Tuesday, 31 May 2011

Studio Update: Argosy studio furniture


In these days of “in the box” mixing and recording, it’s important that a studio still has a main focus point - something that at least looks like a recording console (if not for any practical reasons, then for the aesthetics!). There’s also an element of “hands on” control that’s missing with a keyboard and mouse.

We’ve had a Digidesign C24 Pro Tools control surface for a while now which meets most of these needs, but simply placing it on a desk doesn’t have the functionality and ergonomics of a large format console. We'd looked at getting custom furniture built, and had been stuck with a horrendous combination of Quiklok stand and office desk for a year. Eventually something had to be done about it....

The 90-NC24-RR model is designed with the C24 in mind, so suited our purposes nicely. It arrived in a variety of confusingly numbered boxes, but once we’d found the one with the instructions in, we were ready to get assembling.

Putting together an Argosy desk is a familiar experience to anyone who’s ever bought IKEA flat-packed furniture. The step-by-step instructions make perfect sense once you go through them carefully, but as typical men, we blundered ahead regardless (we had to redo a few stages, but no damage was done - I’d advise you spend a bit more time reading than we did!)

After the best part of a day, we’d cleared out the studio and the Argosy frame was finished. Days 2 and 3 were spent re-wiring and testing the studio (most installs wouldn’t take this long, but we have a dual console studio, which takes a surprising amount of time to wire up fully and neatly).

First impressions of the Agosy? It looks awesome! We went for the mahogany hardwood end panels, which along with the padded armrests give a classy finishing touch. Put the C24 into Vegas mode, and the studio is all set to impress.



The rack rails are direct screw in American style, and the Argosy comes with more than enough screws to fill the rack. Once you get over your fear of cross-threading (and let’s face it, when have you ever cross threaded a rack nut?), you’ll start to appreciate these over the European nut-and-bolt standard. I never want to have to force rack nuts into slightly too small rack slots ever again! There’s also a couple of logo’d blanking panels to be found somewhere among the boxes.
The C24 comes with a full set of D-sub multicores, each around 6 meters long. Given that the patchbay lives under a meter away, this tends to leave a lot of slack. Keeping this amount of cabling all tidy was always a difficulty before, but the Argosy has a large space underneath where you can coil any excess neatly out of the way. There was even enough room left to tuck in the C24 power supply.
Once the wiring’s all in place, you can still get to the back of the desk via three hinged lids and with a latched rear panel, so it’s simple enough to mod your setup (we added alt speaker connections and the listen mic patch point about a week after the initial install with no difficulties).
There’s more than enough space for a mousepad and keyboard on both sides of the mixer, but you’ll probably end up balancing the keyboard on the arm rest and leaving the mouse to one side. You could change to a trackpad or trackball, but I’ve never been a fan of either of these. I’ve yet to see an ideal solution to this on any desk furniture though.

My biggest gripe about the Argosy? I’m starting to despise slanted patchbays! It’s all too easy for the rear patches to fall out, and almost impossible to see where they came from. Admittedly, a permanent soldered patchbay would solve this, but we need a fair amount of versatility and adaptability to our setup. As it stands, I’ve spent so much time beneath the desk recently, that I’m starting to consider buying an under-car mechanic’s trolley!

If you’re looking for studio furniture, I’d rate Argosy over the AKA design and Quick-Lok desks I’ve put together. It’s solid and built to last, though (much like IKEA furniture) I’m not sure how easy it would be to take apart and re-assemble. It’s a lot of money to outlay (especially when you add shipping to the UK from the States), but it will give any studio that professional look that a laptop and audio interface just will never have.



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Thursday, 16 September 2010

Master Tracks - from demo to finished product in a day.....



Just discovered this site this morning. Master Tracks gives a band a day to take a track from demo to finished product in a day.....
Producer Moe Berg (the singer from The Pursuit Of Happiness) and engineer Laurence Currie (who's worked with loads of bands, but to be honest, none I've ever heard of) take the band into Metalworks Studios in Ontario, Canada, and each episode shows you the song go through all the stages to final mix.


"Master Tracks - from demo to finished product in a day....." > read the full post

Monday, 23 August 2010

Online Music Mixing



Mixing & mastering: get a pro in, or do it yourself?

It's one of those dilemmas.

In recent years, several online mastering services have emerged (including the famous Abbey Road Studios'), but now a team of professionals takes things one step further (or back), offering a complete mix-down service, and all handled remotely......read on.

The team behind Online Music Mixing are four sound engineers whose credits range from The Libertines and Kasabian, Orbital and The Prodigy to Girls Aloud and The Ting Tings. The idea is that, while the likes of GarageBand and Live have led to ever more people making music at home, not everyone can be a great songwriter or musician and a great producer - so the OMM team are there to help.

Prices range from £175 to £450 per track, depending on your choice of engineer. And it's not just a case of firing off a bunch of files and hoping, either: "Effective information exchange is critical," says co-founder Daniel Hulme. "Our aim is to create a one-to-one dialogue between client and engineer, even though it's all done remotely."

If you decide to try OMM's service, please leave a comment with your thoughts!



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Thursday, 3 June 2010

Free Online Music Mixing Software



Another great way to pass the hour(s)... looplabs: a free online music mixing software, created by CRASH!MEDIA.

Looplabs is "the web's premier online music mixing application and platform" (MAC/PC). Features include multi-channel mixing of up to 32 channels, MP3 sampling/triggering/remixing, complete load/save/vote functionality, audio recording capabilities, sequencing, output audio to WAV/MP3 files, ring-tone creation and output, video mixing capabilities and integration, multiuser collaborative music environments, stereo FX processing, drum and rhythm pattern machine, crossfading, etc.

Ok, so I'm probably selling it for more than it's worth... but the point is, it's good fun, and a great way to waste time. Find out, here.

CRASH!MEDIA's projects are generally cool. They are an interactive entertainment agency, and it's worth checking out their website to find out what they've been and are involved in.



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Monday, 17 May 2010

Mix Engineer Young Guru's Tips - Take It From The TOP

There's always that mystique of what really happens during a recording session with the big guys, as far as mix engineering goes there's always the myth of the ways in which those classic albums were put together and it's fair to say that those stories do make for interesting reading when the memoirs are published.

Let's talk Hip Hop music now, which as we know is primarily devoid of micing music instruments and generally less involved with the more irksome aspects of mix engineering but nevertheless a situation that requires a savvy head to run the boards and handle session takes efficiently.

Take a name like Jay Z for instance, a successful recording artist that continues to break grounds commercially and constantly raise the bar on the quality of music we get each time a new album of his is released, could there be a trade secret involved here? What steps are taken by his studio engineer that gives the finished article that edge over the others? Here's a publication that lets you hear it from the proverbial horses mouth...search for the answers and you will find!

Secrets Of The Mix Engineer: Young Guru


"Mix Engineer Young Guru's Tips - Take It From The TOP" > read the full post

Thursday, 22 April 2010

EZmix - Mixing, the easy way



Toontrack (in partnership with Overloud) have recently released EZmix, which appreas to be a kind of channel strip, but one that places emphasis on ease of use rather than tweakability. Read on......

The idea is that you insert an instance of EZmix into a channel in your DAW and then select a preset in the plugin, depending on what type of channel you are processing (e.g. drums, bass, vocals, etc). The plugin has 3 sliders which control different parameters, depending on the preset you are using, so e.g. a vocal preset might have adjustable delay time, delay mix, and compression threshold.

While this approach may not be to everyone's taste, there are undoubtedly times when a rough and ready mix is required but you haven't got time to get lost in the minutia of detailed plugin editing, and for those occasions, EZmix presents itself as being ideal.

Available to buy now from the Toontrack website, EZmix comes in VST, Audio Unit, and RTAS, for both Windows and Mac OS X, at a price of £45 including VAT.


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