Showing posts with label recording-studios. Show all posts
Showing posts with label recording-studios. Show all posts

Tuesday, 31 May 2011

Studio Update: Argosy studio furniture


In these days of “in the box” mixing and recording, it’s important that a studio still has a main focus point - something that at least looks like a recording console (if not for any practical reasons, then for the aesthetics!). There’s also an element of “hands on” control that’s missing with a keyboard and mouse.

We’ve had a Digidesign C24 Pro Tools control surface for a while now which meets most of these needs, but simply placing it on a desk doesn’t have the functionality and ergonomics of a large format console. We'd looked at getting custom furniture built, and had been stuck with a horrendous combination of Quiklok stand and office desk for a year. Eventually something had to be done about it....

The 90-NC24-RR model is designed with the C24 in mind, so suited our purposes nicely. It arrived in a variety of confusingly numbered boxes, but once we’d found the one with the instructions in, we were ready to get assembling.

Putting together an Argosy desk is a familiar experience to anyone who’s ever bought IKEA flat-packed furniture. The step-by-step instructions make perfect sense once you go through them carefully, but as typical men, we blundered ahead regardless (we had to redo a few stages, but no damage was done - I’d advise you spend a bit more time reading than we did!)

After the best part of a day, we’d cleared out the studio and the Argosy frame was finished. Days 2 and 3 were spent re-wiring and testing the studio (most installs wouldn’t take this long, but we have a dual console studio, which takes a surprising amount of time to wire up fully and neatly).

First impressions of the Agosy? It looks awesome! We went for the mahogany hardwood end panels, which along with the padded armrests give a classy finishing touch. Put the C24 into Vegas mode, and the studio is all set to impress.



The rack rails are direct screw in American style, and the Argosy comes with more than enough screws to fill the rack. Once you get over your fear of cross-threading (and let’s face it, when have you ever cross threaded a rack nut?), you’ll start to appreciate these over the European nut-and-bolt standard. I never want to have to force rack nuts into slightly too small rack slots ever again! There’s also a couple of logo’d blanking panels to be found somewhere among the boxes.
The C24 comes with a full set of D-sub multicores, each around 6 meters long. Given that the patchbay lives under a meter away, this tends to leave a lot of slack. Keeping this amount of cabling all tidy was always a difficulty before, but the Argosy has a large space underneath where you can coil any excess neatly out of the way. There was even enough room left to tuck in the C24 power supply.
Once the wiring’s all in place, you can still get to the back of the desk via three hinged lids and with a latched rear panel, so it’s simple enough to mod your setup (we added alt speaker connections and the listen mic patch point about a week after the initial install with no difficulties).
There’s more than enough space for a mousepad and keyboard on both sides of the mixer, but you’ll probably end up balancing the keyboard on the arm rest and leaving the mouse to one side. You could change to a trackpad or trackball, but I’ve never been a fan of either of these. I’ve yet to see an ideal solution to this on any desk furniture though.

My biggest gripe about the Argosy? I’m starting to despise slanted patchbays! It’s all too easy for the rear patches to fall out, and almost impossible to see where they came from. Admittedly, a permanent soldered patchbay would solve this, but we need a fair amount of versatility and adaptability to our setup. As it stands, I’ve spent so much time beneath the desk recently, that I’m starting to consider buying an under-car mechanic’s trolley!

If you’re looking for studio furniture, I’d rate Argosy over the AKA design and Quick-Lok desks I’ve put together. It’s solid and built to last, though (much like IKEA furniture) I’m not sure how easy it would be to take apart and re-assemble. It’s a lot of money to outlay (especially when you add shipping to the UK from the States), but it will give any studio that professional look that a laptop and audio interface just will never have.



"Studio Update: Argosy studio furniture" > read the full post

Wednesday, 30 March 2011

DIY PAD cable

I was having a few difficulties recently when trying to record drums with the C24 in studio 2 - even with the mic gain turned all the way down, we were still clipping the inputs to Pro Tools.

On the day of the session I worked around this by using external mic pre's, but I wanted a better solution.


A little bit of research and soldering later, and I turned up with this:


(at the other end of the lead is a standard XLR female connector)

The circuit fits quite neatly into the chassis of an XLR male connector (it's important to make sure it goes on the desk input end of the signal, so I'd avoid wiring this into a patch cable), and does the job quite nicely.

I made the cable about a foot long, and you simply daisy chain it to the end of a mic lead. They've turned out to be so useful, I'm in the middle of making another half dozen of them.


"DIY PAD cable" > read the full post

Thursday, 16 September 2010

Master Tracks - from demo to finished product in a day.....



Just discovered this site this morning. Master Tracks gives a band a day to take a track from demo to finished product in a day.....
Producer Moe Berg (the singer from The Pursuit Of Happiness) and engineer Laurence Currie (who's worked with loads of bands, but to be honest, none I've ever heard of) take the band into Metalworks Studios in Ontario, Canada, and each episode shows you the song go through all the stages to final mix.


"Master Tracks - from demo to finished product in a day....." > read the full post

Sunday, 25 October 2009

The Daily Adventures of Mixerman


If you've got a few hours to spare, check out the Daily Adventures of Mixerman. It tells the story of a recording job from hell. Many familiar situations for those who've been there, many lessons for those on their way...
(Unfortunately, you'll need to buy the book to see how it all ends...)


"The Daily Adventures of Mixerman" > read the full post

Friday, 25 September 2009

Butch Vig will record your band! - eBay auction


Butch Vig (producer of Green Day, Smashing Pumpkins, and Nirvana, as well as being the drummer in Garbage) will record your band.....
He's auctioning a 1 day, 10 hour session at Dangerbird Studios in LA, for the Pablove Foundation. Bidding's currently at $790, but with 5 days to go, don't expect it to stay that low for long!
Check out the auction site here.


"Butch Vig will record your band! - eBay auction" > read the full post

Wednesday, 15 July 2009

The studio build continues


This ridiculously heavy pile of bricks has now become a studio.....Stage one is nearly complete. We have the outer shell of the studio in place, and as I type, the doors will be finished.

Obviously the ceiling would be a little trickier to build with concrete, so it's made up of several layers of plasterboard, rock wool and chipboard.
We're still waiting for the studio/live room window glass, but this gave us the chance to have a closer look at the separating wall:
As well as the concrete block, there is an air gap and a layer of rock wool, followed by plasterboard, which is decoupled with vibration absorbing resiliant bars. We'll be putting three layers of glass, so separation should be more than adequate.So, only the internal acoustic treatment, wiring, painting, electrics and lighting to go. Not to mention the second studio build......


"The studio build continues" > read the full post

More Studio Construction (Miloco)

We are not the only ones busy with sound-proofing rockwool and double layer plasterboard.
Look at the massive refurbishment going on at Miloco's Engine Room.
And that's not all...
The studio known as the Pool is being completely redone as well.
And if all this talk of construction work is making you feel a bit stressed, the building work is all finished at the Black Rock where a new gorgeous swimming pool has been added. Maybe one day we'll have one too.


"More Studio Construction (Miloco)" > read the full post

Monday, 13 July 2009

Setting up the C24


New project studio in Whitechapel, London...
The studio is based around a Mac Pro and a Digidesign C24, and should be fully up and running within the month. Equipped with Pro Tools, Logic and Reason, and available for hire at favourable rates. More details coming soon (but feel free to contact LSS if you can't wait).


"Setting up the C24" > read the full post

Monday, 6 July 2009

Home Studio: Nice!


Having moved to Miami to work at Setai Recording in South Beach, ex-student Jose Carlos Reyes felt it was about time to put together a little home studio to develop his own projects and offer quality mixing for those that don't have the budget of Chris Cornell or Wyclef Jean (incidentally two of the clients at Setai Recording).

Now, if I was ever to marry, I guess I could use the following pictures as my wedding list...


We go from the obvious with the choice of SSL desk, Adam Monitors, George Massenburg eq (also known as 'the best eq in the world')...

...to the ridiculous with the Atomic Digital Clock generator (you can-not buy anything more accurate than this, period), and the possibly helpful (Furman power conditioner, keeping your voltage stable in case the power supply of your equipment wasn't enough).

Jose will be happy to mix tracks sent over internet, if you want a quote email or call London School of Sound and we'll put you in touch.


"Home Studio: Nice!" > read the full post