Showing posts with label Pro Tools. Show all posts
Showing posts with label Pro Tools. Show all posts

Tuesday, 31 May 2011

Studio Update: Argosy studio furniture


In these days of “in the box” mixing and recording, it’s important that a studio still has a main focus point - something that at least looks like a recording console (if not for any practical reasons, then for the aesthetics!). There’s also an element of “hands on” control that’s missing with a keyboard and mouse.

We’ve had a Digidesign C24 Pro Tools control surface for a while now which meets most of these needs, but simply placing it on a desk doesn’t have the functionality and ergonomics of a large format console. We'd looked at getting custom furniture built, and had been stuck with a horrendous combination of Quiklok stand and office desk for a year. Eventually something had to be done about it....

The 90-NC24-RR model is designed with the C24 in mind, so suited our purposes nicely. It arrived in a variety of confusingly numbered boxes, but once we’d found the one with the instructions in, we were ready to get assembling.

Putting together an Argosy desk is a familiar experience to anyone who’s ever bought IKEA flat-packed furniture. The step-by-step instructions make perfect sense once you go through them carefully, but as typical men, we blundered ahead regardless (we had to redo a few stages, but no damage was done - I’d advise you spend a bit more time reading than we did!)

After the best part of a day, we’d cleared out the studio and the Argosy frame was finished. Days 2 and 3 were spent re-wiring and testing the studio (most installs wouldn’t take this long, but we have a dual console studio, which takes a surprising amount of time to wire up fully and neatly).

First impressions of the Agosy? It looks awesome! We went for the mahogany hardwood end panels, which along with the padded armrests give a classy finishing touch. Put the C24 into Vegas mode, and the studio is all set to impress.



The rack rails are direct screw in American style, and the Argosy comes with more than enough screws to fill the rack. Once you get over your fear of cross-threading (and let’s face it, when have you ever cross threaded a rack nut?), you’ll start to appreciate these over the European nut-and-bolt standard. I never want to have to force rack nuts into slightly too small rack slots ever again! There’s also a couple of logo’d blanking panels to be found somewhere among the boxes.
The C24 comes with a full set of D-sub multicores, each around 6 meters long. Given that the patchbay lives under a meter away, this tends to leave a lot of slack. Keeping this amount of cabling all tidy was always a difficulty before, but the Argosy has a large space underneath where you can coil any excess neatly out of the way. There was even enough room left to tuck in the C24 power supply.
Once the wiring’s all in place, you can still get to the back of the desk via three hinged lids and with a latched rear panel, so it’s simple enough to mod your setup (we added alt speaker connections and the listen mic patch point about a week after the initial install with no difficulties).
There’s more than enough space for a mousepad and keyboard on both sides of the mixer, but you’ll probably end up balancing the keyboard on the arm rest and leaving the mouse to one side. You could change to a trackpad or trackball, but I’ve never been a fan of either of these. I’ve yet to see an ideal solution to this on any desk furniture though.

My biggest gripe about the Argosy? I’m starting to despise slanted patchbays! It’s all too easy for the rear patches to fall out, and almost impossible to see where they came from. Admittedly, a permanent soldered patchbay would solve this, but we need a fair amount of versatility and adaptability to our setup. As it stands, I’ve spent so much time beneath the desk recently, that I’m starting to consider buying an under-car mechanic’s trolley!

If you’re looking for studio furniture, I’d rate Argosy over the AKA design and Quick-Lok desks I’ve put together. It’s solid and built to last, though (much like IKEA furniture) I’m not sure how easy it would be to take apart and re-assemble. It’s a lot of money to outlay (especially when you add shipping to the UK from the States), but it will give any studio that professional look that a laptop and audio interface just will never have.



"Studio Update: Argosy studio furniture" > read the full post

Friday, 5 November 2010

Pro Tools 9


We said it was coming, and here it is!....
It's got everything we hoped for:
  • Use any Core Audio or ASIO interface
  • Up to 96 or 192 simultaneous tracks
  • Up to 128 instrument tracks
  • Up to 512 MIDI tracks
  • 256 internal busses
  • Up to 160 Aux tracks
  • Automatic Delay Compensation
  • Multitrack Beat Detective
  • Digibase Pro
  • Built-in OMF/AAF/MXF file interchange support
  • The new Complete Production Toolkit gives you the rest of the previously HD only features, including 7.1 surround mixing, and VCA faders
OK, the downside is:
  • You need an iLok (fair enough, as you no longer need AVID hardware)
  • It's expensive (£505 from new, £210 for upgrade, and it's a staggering £1679.95 for the Complete Production Toolkit)
  • That's it
As LSS is a Pro Tools Sponsored Training Centre, we'll be trying this out asap, so I'll be back with a review pretty soon (it ships on November the 19th).
In the mean time, head to AVID for more details.


    "Pro Tools 9" > read the full post

    Tuesday, 14 September 2010

    New MBox range officially announced

    As we predicted, the new range of MBoxes are out, with a few interesting features....
    The MBox Mini doesn't seem like any huge leap,
    but the MBox is now offering 96kHz sampling rates, the same soft-clip limiter found in the HD interfaces, a built in guitar tuner, and a "multi' button (we were wondering what that was going to be with the earlier leaked screen shots, but it can be assigned to any Pro Tools control (e.g. tap tempo, play/start etc.) ).

    A built-in reverb will make input monitoring easier too.

    The MBox Pro supports up to 192kHz sampling rates (though Pro Tools LE only goes up to 96kHz - a sign of things to come? Rumours have already started of more Pro Tools announcements coming in November, and a 004 in January).

    Head to Avid's site for a few more details, but to be honest, there's not much more there yet.


    "New MBox range officially announced" > read the full post

    Friday, 10 September 2010

    MBox 3 is on the way!


    We'd seen the signs that this was coming, but with a little bit of sleuthing, I've found it!
    Read on for pictures....
    Very sleek and black, so it'll match the new line of HD systems we saw recently, with instrument inputs on the front, and a huge volume pot.


    What's quite interesting is what looks like soft limiting on the inputs.
    Price is looking to be around $550, but we'll know more after the release date.


    "MBox 3 is on the way!" > read the full post

    Wednesday, 16 December 2009

    Pro Tools on the Mackie Onyx - now official!

    Good news everybody!


    AVID (owners of Digidesign, who make Pro Tools) have come to an agreement with LOUD (parent company of Mackie) about running Pro Tools on Mackie hardware.
    This means you can now run Pro Tools LE on the Onyx 820i, 1220i, 1620i and 1640i mixers - with official support.
    We'd looked at this ages ago, but this was before the official licensing agreement.
    Check out the Mackie news site to read the announcement


    "Pro Tools on the Mackie Onyx - now official!" > read the full post

    Sunday, 22 November 2009

    Blue Cat Plugins in RTAS


    We mentioned the Blue Cat free plugin bundle a little while back, but the good news is that it's now also available in RTAS formats! Great new for us Pro Tools users, who tend to feel a bit left out when it comes to free stuff...
    Phasers, flangers EQs and a frequency analyzer come with the bundle. Just head to here to download in your favorite format...


    "Blue Cat Plugins in RTAS" > read the full post

    Friday, 25 September 2009

    Eleven Rack is here



    And, as we suspected, it's a bit pricier than first rumored......
    At £787, it's still pretty cool for an audio interface + amp emulator + pro tools though. Check out vids of it in action here, or head straight to Digital Village for UK prices and specs


    "Eleven Rack is here" > read the full post

    Thursday, 24 September 2009

    Pro Tools on Snow Leopard


    In what must be the fastest ever turnaround from Digidesign (10.5 support took ages - Leopard was released in October 2007, and compatibility with Pro Tools arrived in June 2008), there's a pre-release of 10.0.3 now out......
    The bad news is, they're dropped support for Power PC Macs and the original MBox, as well as a few other bits and pieces. (Whether our old MBox will be usable with the update remains to be seen - unsupported doesn't always seem to mean doesn't work in Digidesign land)
    For the adventurous amongst you (and those who've just bought a new Mac so don't have 10.5), head here to check it out.
    Go on, you first..... let me know how it turns out....


    "Pro Tools on Snow Leopard" > read the full post

    Tuesday, 22 September 2009

    Digidesign Eleven Rack - Only $165!

    After Digidesign's Change Your Game teaser announcement, one of the more inquisitive Gearslutz forum members did a little googling, and found this rather (and amazingly priced) promising listing....
    Schilke Eleven Rack Guitar Multi Effects Processor.
    To quote:

    Digidesign Eleven Rack Guitar Multi Effects Processor

    Digidesign's Eleven Rack is a revolutionary guitar recording system designed to solve the challenges guitarists face in the studio. Eleven Rack uses a unique tone cloning design and one-of-a-kind, custom-designed True-Z input to re-create the experience of playing through a mic'd amp. By combining studio-standard Pro Tools software with a DSP-accelerated high-resolution interface, Eleven Rack puts professional recording into the hands of every guitar player. Whether you're tracking in the studio or playing on stage, this rackmountable multi-effects processor delivers fresh, mind-blowing, hyper-realistic guitar amp and effects tones that will inspire your best performances.



    Digidesign Eleven Rack in the Studio


    Eleven Rack combines studio-standard Pro Tools software with a high-resolution, dual DSP-powered audio interface, so you'll never have to worry about latency when recording, thanks to its built-in amp/effects tones, nor will your computer have to carry the processing burden. Additionally, Eleven Rack takes re-amping to the next level by recording both dry and processed guitar signals simultaneously, allowing you to re-amplify later without patching a single cable. Digidesign even found a way to embed the Eleven Rack amp and effects settings into the audio tracks you record, enabling you to automatically recall those settings from your audio files on any Pro Tools system with the Eleven Rack.


    Obviously no pics yet, but check out the full specs here,


    "Digidesign Eleven Rack - Only $165!" > read the full post

    Saturday, 12 September 2009

    Pro Tools Vocal Studio, Recording Studio and Key Studio


    No sign of this on the Digidesign or Avid website yet, but word is that a new, cut down version of Pro Tools is on its way, at a very reasonable $99 (converts £60, but probably around £100 by the time it gets here)...
    It's coming in three varieties: Vocal Studio (with USB condenser mic) for $99, Recording Studio (with Fast track audio interface) for $129, and Key Studio (with 49 key MIDI controller/interface) for $99.
    It won't be fully featured (limited to 16 tracks for a start), but at that price, definitely worth a closer look once it hit the shops in mid September


    "Pro Tools Vocal Studio, Recording Studio and Key Studio" > read the full post

    Thursday, 10 September 2009

    Pro Tools on the Mackie Onyx

    So, the unimaginable has happened. You can now use a non-Digidesign or M-Audio interface with Pro Tools (M-Powered).
    Rumors have been floating around about this for a little while now, but the official announcement has now arrived from Mackie - their new Onyx desks work with Logic, SONAR, Cubase, Ableton Live, and last of all, Pro Tools.
    This is not just HUI control, or ADAT connection to an existing interface. So, what's the downside?
    Well, it won't work yet - the small print says that the driver will be released with details how to use it with Pro Tools M-Powered 8 in the coming weeks. (So it might not be that straightforward to set up?). Also, if you read carefully, it says it is qualified by Mackie to use with Pro Tools M-Powered 8. So Digidesign have not agreed to this. What's to stop the next update crippling the Onyx?
    On the bright side, it looks like a pretty nice piece of equipment (though I've not forgiven Mackie for the atrocity that was the dXb), and if it does work as advertised, it's pretty tempting. My advice? Hold off for now, see what Digidesign do first.


    "Pro Tools on the Mackie Onyx" > read the full post

    Wednesday, 22 July 2009

    Pro Tools Massive Pack 8 released


    Digidesign have released their new Massive Pack 8 (£780) and Massive Pack Pro 8 (£2115) plug-in bundles for Pro Tools HD....

    Each comes with a set of 11 plug-ins:

    • Abbey Road/Chandler Limited TG Mastering Pack — Emulates EMI TG12410 console EQ and filter
    • Brainworx bx_boom! — Enhances kick drum sounds through attenuation and boost
    • Brainworx bx_control — Offers quality listening controls, with M/S matrix and stereo width control
    • Brainworx bx_hybrid — Provides world-class mixing and mastering EQ
    • McDSP FutzBox — Offers a collection of creative EQ, distortion, and filter effects
    • Softube FET Compressor — Emulates the most famous solid-state compressor
    • Sonnox Inflator — Produces louder mixes with warmth and character
    • SPL EQ Rangers Vol. 1 — Provides three distinct EQ plug-ins for complete sonic control
    • SPL Transient Designer — Versatile mixing tool shapes dynamic response
    • TC Electronic VSS3 Stereo Source Reverb — Ported from the legendary System 6000
    • URS N4 Series — 6-band parametric EQ re-creates that vintage British sound

    and you choose 12 more from the following:

    • Classic Compressors Bundle — Offers emulations of five renown compressors/limiters
    • Cosmonaut Voice™ — Unique vocal processor creates special effects
    • DINR™ — Digidesign Intelligent Noise Reduction helps silence noise
    • Eleven™ — Produces hyper-realistic tones of the world’s most coveted vintage guitar amps
    • Impact® — Provides console-style mix bus compression
    • JOEMEEK Bundle — Includes emulations of the VC5 Meequalizer and SC2 Compressor
    • Moogerfooger® Bundle — Four audio effects and vintage synths re-create the Moog sound
    • Pultec Bundle — Includes emulations of three Pultec analog EQs
    • Reel Tape™ Suite — Offers a set of three analog tape emulation and effects plug-ins
    • Slightly Rude Compressor™ — Custom compressor helps un-digitize sounds
    • TL Drum Rehab™ — Drum sound replacement and enhancement tool optimizes drum tracks
    • TL EveryPhase™ — Produces classic analog phaser sounds and effects
    • TL Space™ TDM — Delivers the ultimate convolution reverb for music and post
    • Tel-Ray® Variable Delay — Provides unique, space-age echo and delay effects
    • Voce® Bundle — Includes effects emulations of the rotating speaker and B-3 organ vibrato
    • X-Form® — Natural-sounding time- and pitch-stretching tool

    The only difference between the two, is that the Pro version comes with an HD/Accel card.


    "Pro Tools Massive Pack 8 released" > read the full post

    Friday, 3 July 2009

    The Power Claw!

    Feel the Power!

    In (fairly ridiculous) Digidesign terminology, "Power Claw" means "control + option + command", and it's used for several obscure, but useful shortcuts. Here's a selection of them, but let us know if you find any more.....






    1) Reset Waveform Zoom
    :
    Power Claw + (Square Bracket).
    Although you can learn to tell the vertical scales apart, this is a much easier way to zoom back out to the default setting.



    2) Fat Meters:
    Power Claw + (Click on any meter).
    This works in both Mix and Edit windows, and doubles the meter width. Not especially useful, but it does make things a little clearer on screen.


    3) Enable Plugin Automation Parameter:
    Power Claw + (Click on plugin control).


    This brings up the option to enable the parameter automation. It also works to disable automation.

    4) Enable All Plugin Automation Parameters:
    Power Claw + (Click on Auto button)

    5) Make All Plugins in a Row Inactive:
    Power Claw + (Click on plugin slot).
    OK, this is a variation on "Make Plugin Inactive" (Control + Command + (Click on plugin slot)), with the added Option (apply to all) modifier held down, but this way I get to use my funky Power Claw logo (soon available on a t-shirt!).
    This also works on aux sends, tracks and identically numbered track inputs.


    6) Previous/Next Track View on all (visible) Tracks:

    Power Claw + (left and right arrows).
    Cycle through Waveform, Volume, Pan, Mute (etc.) views
    Again, leave out the Option modifier to only apply to the currently selected track or tracks.


    7) Track Heights All Fit to Window:
    Power Claw + (up or down arrow)
    A very useful one this. Much quicker than holding the Option modifer and changing the track height. Leaving out the modifier will, of course, zoom the selected track height to fill the screen.



    8) Copy Region to the Left:

    Power Claw + (click on the region with the Grabber tool)
    Similar to the Duplicate shortcut (Command + D), but this puts the region to the left.

    (Leaving out the Option will just move the region).

    9) Video Codec Options When Bouncing to Quicktime:
    You guessed it, hold Power Claw when pulling down the Bounce menu. Not much use to the music guys, but a lifesaver for those in post!


    10) Region Rating:
    Power Claw + (1 to 5)
    Pro Tools 8 brought the option to rate regions from 1 to 5 (5 is best). Very useful when playlist editing and comping.




    11) Show/Hide all Floating Windows:
    Power Claw + (W)
    This will close the transport, locate, timecode etc. floating windows, but, more importantly, will bring them back next time you need them.




    12) Scroll the Note Display up and Down:

    Power Claw + (Click and drag)
    This works in Note and Velocity playlist displays.


    13) Scroll Through the Song From the Timebase Ruler:

    Power Claw + (Click and drag)
    Does exactly what it says on the tin....


    14) Copy Selection to Main Playlist:
    Power Claw + (V)
    One for comping, and easier than right-clicking.



    Think that'll do for now!


    "The Power Claw!" > read the full post