Showing posts with label music-business. Show all posts
Showing posts with label music-business. Show all posts

Wednesday, 1 June 2011

Students learn how social media helps Eric Prydz sell more records


Terry Church is an award winning dance music journalist and editor with over a decade of experience in the industry. He has worked for DJ Mag as their News and Web Editor and at Beatportal.com as the Editor. He now runs Terry Church PR and has clients such as Dubfire, Eric Prydz, Adam Beyer and Sebastian Leger.

Last week the students of London School of Sound were treated to a lecture by Terry where he went through how he helps his clients sell more records and become even bigger successes.

Terry began the lecture by discussing brand attributes and the characteristics we associate with artists who indeed have their own brand. When you think of an artist you may or may not realise that they do indeed embody a brand and culture. Lady Gaga is a brand, Deadmau5 is a brand, the moody local DJ who refuses to do interviews is a brand. It is what we become addicted to, what we feel when we hear their music. Terry asked each one of us in the room to write down a list of brand attributes that we want to associate with ourselves and our music (for those interested mine were eccentric, wild and uplifting...yeah baby). This was a powerful thing actually because nearly all of us had never even thought about this, or even that we can control it.

Most of us just make music and let the world decide how to perceive us. But what Terry made us see is that because of the changes in the world today we have a lot more control on how the world perceives us. Super celebs can directly communicate with hundreds of thousands of their fans in seconds via updating their status on Facebook or sending a tweet out on Twitter, it's astonishing.

He went on to discuss exactly how we can showcase our brand attributes via Social Media. In today’s world we can access our fans and target market directly through Facebook, Twitter, Soundcloud and blogs. Terry went through each one and discussed how they play a part in the branding process and how we can utilize each to become a household name. Facebook on one hand is great for talking directly to fans and getting feedback on tracks you may be working on. Twitter on the other hand is good for networking with companies, labels and major artists directly to gain good business connections.

Terry closed the show by discussing how to start a label in today’s digitally enhanced world. Overall Terry was a delight and was great afterwards handling the students questions too.
I really took away a lot from the lecture, knowing what it takes to market your own music and yourself makes you incredibly more likely to be successful and signed to a major label. Labels today want to know an artist can create their own following and have done so, meaning knowing how to do this with the wonderful world of the Internet is a major plus.

This was one of a series of free lectures we organise from time to time. Some are exclusive to LSS students, others are open to everyone; each lecture is unique and will not be repeated. Subscribe to our newsletter to hear about future events as soon as they’re announced.

For more information on Terry Church visit his website www.terrychurchpr.com/


"Students learn how social media helps Eric Prydz sell more records" > read the full post

Tuesday, 21 September 2010

New Music Strategies - free ebook

Just been doing some random reading in between work... and found an interesting resource. It's a free e-book about the music industry by A. Dubber.

Download New Music Strategies.





"New Music Strategies - free ebook" > read the full post

Thursday, 16 September 2010

Master Tracks - from demo to finished product in a day.....



Just discovered this site this morning. Master Tracks gives a band a day to take a track from demo to finished product in a day.....
Producer Moe Berg (the singer from The Pursuit Of Happiness) and engineer Laurence Currie (who's worked with loads of bands, but to be honest, none I've ever heard of) take the band into Metalworks Studios in Ontario, Canada, and each episode shows you the song go through all the stages to final mix.


"Master Tracks - from demo to finished product in a day....." > read the full post

Monday, 23 August 2010

Online Music Mixing



Mixing & mastering: get a pro in, or do it yourself?

It's one of those dilemmas.

In recent years, several online mastering services have emerged (including the famous Abbey Road Studios'), but now a team of professionals takes things one step further (or back), offering a complete mix-down service, and all handled remotely......read on.

The team behind Online Music Mixing are four sound engineers whose credits range from The Libertines and Kasabian, Orbital and The Prodigy to Girls Aloud and The Ting Tings. The idea is that, while the likes of GarageBand and Live have led to ever more people making music at home, not everyone can be a great songwriter or musician and a great producer - so the OMM team are there to help.

Prices range from £175 to £450 per track, depending on your choice of engineer. And it's not just a case of firing off a bunch of files and hoping, either: "Effective information exchange is critical," says co-founder Daniel Hulme. "Our aim is to create a one-to-one dialogue between client and engineer, even though it's all done remotely."

If you decide to try OMM's service, please leave a comment with your thoughts!



"Online Music Mixing" > read the full post

Sunday, 16 May 2010

Walking on Eggshells: Borrowing Culture in the Remix Age

Walking on Eggshells is a 24-minute documentary about appropriate, creative influence, re-use and intellectual property in the remix age. It is a conversation among various musicians, visual artists, writers and lawyers, all sharing their views on why and how we use and create culture, and how intellectual property law - originally designed to provide people with incentives to create - sometimes hinders creative production far more than it enhances it.
This film is our final project for the seminar "Intellectual Property in the Digital Age" at Yale University.

Directed and Produced by:
Jacob Albert
Ryan Beauchamp
Brendan Schlagel

Interviews with (in order of appearance):
Eclectic Method
DJ Earworm (Jordan Roseman)
Joy Garnett
Michael Cunningham
Dudley Andrew
DJ Ripley (Larisa Mann)
Jonathan Lethem
E. Michael Harrington
Edgar Garcia

This work is licensed under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License.

Here is part 1 of 3:



Read on for video parts 2 and 3.........






"Walking on Eggshells: Borrowing Culture in the Remix Age" > read the full post

Thursday, 21 January 2010

Find who ripped off who, and got away with it


Radiohead stealing from the Hollies*, Tears for Fears from Cat Stevens, and of course Coldplay from everyone.

And most of them getting away with it! (*Radiohead actually give credit and royalties to the Hollies for Creep, so there you go, some justice and everyone lives happily thereafter)

Or maybe coincidences. Decide for yourself...


Waste a few minutes watching episodes of Musicology, the youtube postings of Kim and her robot, as they highlight some interesting similarities.



See more episodes here

http://www.youtube.com/user/thektb


For even more soundalikes visit http://www.thatsongsoundslike.com/


"Find who ripped off who, and got away with it" > read the full post

Wednesday, 16 December 2009

Pro Tools on the Mackie Onyx - now official!

Good news everybody!


AVID (owners of Digidesign, who make Pro Tools) have come to an agreement with LOUD (parent company of Mackie) about running Pro Tools on Mackie hardware.
This means you can now run Pro Tools LE on the Onyx 820i, 1220i, 1620i and 1640i mixers - with official support.
We'd looked at this ages ago, but this was before the official licensing agreement.
Check out the Mackie news site to read the announcement


"Pro Tools on the Mackie Onyx - now official!" > read the full post

Tuesday, 15 December 2009

Rage Against the Machine for Christmas No 1?


Not sure if you've seen this already, but there's a campaign underway to stop the X Factor single reaching number 1 at Christmas, by buying Rage Against the Machine's Killing In The Name Of.
Looking at the iTunes chart this morning, Rage are at number 2 at the moment, so it'll have to gather a little momentum to defeat Joe McElderry's Miley Cyrus cover.
Check out the Facebook campaign homepage, or head straight to iTunes to join in..... but.....
Rage Against the Machine were released and published by Sony - who Simon Cowell works for.
Still, at the very least, you'll own a copy of a very cool song...


"Rage Against the Machine for Christmas No 1?" > read the full post

Sunday, 8 November 2009

Buy the T-shirt, get the album!


Unconvincing Ford Prefect Mos Def is selling his album in an unusual format.
We looked at ASDA selling T-shirts with song lyrics and MP3 quite a while back, but this takes the idea one stage further.....
The Ecstatic's Killer of Sheep T-shirt has the album artwork on the front, tracklisting on the back, and a download code for the album on the tag.
More details here...


"Buy the T-shirt, get the album!" > read the full post

Sunday, 30 August 2009

Spotify on iPhone Confirmed

After much deliberation and speculation, Apple has allowed a Spotify iPhone app to be available on the iTunes App Store, despite the threat that music downloads in the UK may suffer hugely as a result. Is it worth £9.99 per month? Mmmmh... kind of yes, but ultimately maybe not. Keep reading.

More details are avialable here and all over the net. The main attractive is the ability to download and store up to 3300 songs on to your iPhone / iPod Touch.
This means that you can listen to that music in the tube or wherever there is no internet access. Brilliant.

But can you copy those songs to your mac? As far as I understand, no you can't (how many weeks before someone cracks it?).
And how long will those songs stay on your iPhone before they 'expire'? It's not clear yet.

All in all I am still happy with the alternative method suggested in this old newsletter. And if something is worth having, the full-quality CD often is on Amazon for less than the equivalent digital download.

I am afraid that, as far as I am concerned, paying for low-quality semi-temporary access to music still doesn't make sense. And I am still looking forward to seeing how much money the artists actually make from this subscription service.

Any comment is welcome.


"Spotify on iPhone Confirmed" > read the full post

Wednesday, 12 August 2009

Apple to offer digitised artwork with album downloads

Apparently iTunes sells a lot of singles but not many albums, the same goes for Amazon and the other online retailers. The big four major record companies are now coming up with an idea to change all that.

The idea is that if you donwnload an album you should also get some additional artwork, as an incentive. Apple is apparently going to do something similar, and as usual it's going to be iTunes VS everyone else to see which one people will prefer (wanna bet?).

But all this seems to be still missing the point for me. The thing I just don't
get is:

Compact Disc from record store (also available online for home delivery); it comes in a nice plastic case, there is a printed booklet, IT SOUNDS AS IT SHOULD, and it costs £8.99; from this CD you can create as many copes as you like – it is legal for personal use – and create MP3s, AAC, OGG or any format you want. When a new format comes out you go back to the source and convert it again.

iTunes download; let's say it comes with a pdf of the artwork, let's say it is DRM free, it is not the real thing but a data-compressed version of the real thing, it might sound remarkably good for something that has lost 90% of its data, but it is not as good as a CD; it will get lost as soon as your hard drive fails, your laptop is stolen or you delete it by accident; it can't be converted to another format without a significant loss of quality, in fact I have still to find someone who has been able to play back legal downloads older than three years; and all this for a price which is often HIGHER than the equivalent CD (certainly if you buy one track at a time, but often even with 'album' purchases).

So please someone tell me, why should anyone buy from iTunes? My answer is that the only people that buy downloads is the people that don't care too much for their music.



"Apple to offer digitised artwork with album downloads" > read the full post

Tuesday, 30 June 2009

Professional Design for Your Band

With the catch-phrase "We Draw, We Shoot, You Rock", WithTheBand is a new creative design agency specifically for musicians and record labels. Whether it's the design of a website that looks cool and it's easy to update, the all-important logo (the one fans will want to make in to a tatoo), a photo-shoot, a video clip, or anything else that will help you make the big step, WithTheBand can help – and no budget is too low. Interesting?
They have just launched (with a rather classy launch party last week at The Lexington, Islington) so there is not a lot on the website, but we reckon this is probably the best time to approach them, when they have lots of ideas and time to dedicate to you.
So if you are wondering what to do with this amazing demo you have just produced, why don't you give them a call and see what they have to suggest? That, or you can get a free myspace layout on the web and hope to impress people with how much you don't care, which is as good an idea as not speaking to anyone at parties thinking that girls will take an interest in your mysterious aloofness (and no, it doesn't work).


"Professional Design for Your Band" > read the full post

Friday, 19 June 2009

Timbaland in trouble

So after years of people accusing Timbaland of, well. a little more than "borrowing" his music from other people, he's now being sued by Kernal Records for "original and central identifying melodic, harmonic and rhythmic components" for the Nelly Furtado track "Do It".
Here's the first evidence from the court case:
But here's another collection of his, well, theft:


Probably the scariest thing, though is this quote from the man himself...
"Sample and stole is two different things. Stole is like I walked in your house, watched you make it, stole your protools, went to my house and told Nelly, 'Hey, I got a great song for you.' Sample is like you heard it somewhere, and you just sampled. Maybe you didn't know who it was by because it don't have the credits listed."

OK, it's not theft if you don't know who it belongs to.....


"Timbaland in trouble" > read the full post