Friday 29 October 2010

End of an era - Panasonic discontinue Technics analogue turntables


Said it all in the headline really, but Panasonic are discontinuing their entire Technics analogue audio range.....
Say goodbye to the SL-1200MK6, the SH-EX1200 mixer, and even the RP-DJ1200 headphones....
(And if you've got one or two, hang on to them - prices are going to rocket!).
Head to tokyoreporter for more details.


"End of an era - Panasonic discontinue Technics analogue turntables" > read the full post

Thursday 28 October 2010

Playbutton



I have no idea what to say about this little find... check it out and share your thoughts! -> Playbutton



"Playbutton" > read the full post

Monday 25 October 2010

Sunday 17 October 2010

Free Ableton Live Pack


The Partner Instruments Compilation is, as you'd expect, a collection of Ableton instruments.... It comes in at just under 4GB, and includes everything from pianos, electronic drums and Japanese percussion.
As ever, head here to download!


"Free Ableton Live Pack" > read the full post

Free EQ plugin..... tomorrow (18th Oct)


They're raving about this Windows VST plugin at the GearSlutz forums, and tomorrow it arrives in Mac AU and VST formats...
SonEQ is a 3 band EQ, that emulates vintage gear (pretty sure it's based on Pultec), and sound fatastic on bass.
Head here to download, or here if your Spanish is rusty!


"Free EQ plugin..... tomorrow (18th Oct)" > read the full post

Saturday 16 October 2010

SampleTank Free


It's back!

For a free version of a synth, it's packed with features:
  • Over 500 MB samples for over 200 sounds included
  • 16 part multitimbral with easy layerable/mixable parts
  • 3 synth engines: 
- STRETCH™ (formant preserving pitch-shift/time-stretch)
- Polyphonic Pitch-Shift/Time-Stretch (PS/TS)
- Resampling
  • The most powerful multi-effects section in a virtual instrument:
- 5 insert effects per Part
- 5 Send effects
- Master effects
  • 33 built-in DSP effects derived from award winning audio processors like T-RackS and AmpliTube
  • Part and Master Loop Sync
  • Can be expanded with: SampleTank 2.5 L and XL sounds and any "Powered by SampleTank" sound modules including Miroslav Philharmonik, Sonik Synth 2, SampleMoog, SampleTron
  • Can be expanded with any Xpansion Tank 2 sounds
  • Imports WAV, AIFF, SDII, AKAI S-1000/3000, SAMPLECELL
  • Available both as a standalone application as well as a plug-in
  • VST, RTAS, and AU on Mac OS X/Windows
Head here to download.


"SampleTank Free" > read the full post

Slim Phatty


Oooh, it looks nice....
Check out the Moog site for details, or watch this video.....





"Slim Phatty" > read the full post

Friday 15 October 2010

Hip Hop - Don't Stop - 5 Classics



A random collection of my fav Hip Hop tracks for your pleasure and comment...





Jeru The Damaja - Da Bichez

Righteous rasta Jeru meets DJ Premier for shimmering ode to ermmm...bitches. Whatever you think of the sentiments Jeru has a cool lopsided flow but it's Premier's narcotic sleazy backing, based on a snippet of The Crusaders sauntering "Whispering Pines", that steals the show, I love the shimmering cymbals. The main sample is at 1.12 but the subtler shivery verse sample is at 2.49.







Pete Rock & CL Smooth - The Basement

Named after the dank cellar Pete Rock used as his studio this really does sound like an off the cuff funky jam but is in fact the usual intricate mixture of clashing ambient sounds Rock is know for during this period. Heavy D steals the show with his angular but swinging rant. Riff sampled a classic ragga song below.






Da Lench Mob - Freedom got an A.K

Ice Cube found the perfect mix between punk rock piss taking and massively funky disco in this monster production for the Mob. He also wrote most of the lyrics so after this career peak i suppose Anaconda was just around the corner...Check out the original groove from Jimmy "Bo" Horne's "Dance Across The Floor".





Jungle Brothers - Jimbrowski

This quirky non to subtle track about a giant penis is one of the simple unsung pleasures on the Jungle Brothers excellent first album. Related to De La Soul but sparser and more zany its lasted better than the better known 3 Feet High and Rising. Based on the massive drum riff from a cool Funkadelic track.







Cannibal Ox - Scream Phoenix


Prog Rap? These guys were reasonable rappers but it was the eery futuristic backing which put them over the top. Along with Philip Glass these guys also sampled Yes and made it work, no small achievement.














"Hip Hop - Don't Stop - 5 Classics" > read the full post

Logic 9.1.2

So, it's out , and wow, that's a lot of bug fixes! Just run Software Update....

About the Logic Pro 9.1.2 update

This update improves overall stability, provides numerous fixes and improvements, and is recommended for all users of Logic Pro 9.

Some issues addressed in this update include but are not limited to:

Performance and Stability

Logic’s performance while playing movies at larger than 300% native size in 64-bit mode has been improved.
Resolves an issue that could cause the warning dialog “Memory Getting Low” to appear when simultaneously recording multiple tracks in 32-bit mode.
Resolves an issue that could cause the warning dialog “Specified volume doesn’t exist -35” to appear when simultaneously recording multiple tracks in 32-bit mode.
Using the Undo command after a "Bounce in Place" command now correctly reinserts used plug-ins on the channel strip.
Performing Undo after using the "Bounce - Replace All Tracks" command now correctly restores all automation.
Resolves an issue that sometimes caused Logic to stop responding when loading a setting for a mono plug-in in a multi-mono surround configuration.
Compatibility

Improves compatibility with 6- and 12-core Mac Pro systems.
Supports iOS control surface apps that utilize the OSC protocol.
Supports REX files when running in 64-bit mode.
Improves compatibility with select Audio Unit plug-ins.
The expanded System Performance window now accurately reflects the number of available real cores on all supported computers.
Logic no longer inadvertently reloads the content for third-party sampler plug-ins such as Native Instrument’s Kontakt after tracks are deleted, or after some other edits are performed.
Resolves an issue introduced in Logic 9.1.1 that could cause the spacebar to incorrectly trigger playback in Logic while the Melodyne plug-in window had focus.
Logic Control or Mackie Control hardware control surfaces no longer switch to plug-in edit view when a plug-in on slots 8-15 is removed.
MIDI Editing

Resolves an issue introduced in Logic 9.1 where using the Marquee tool to trim the end of a MIDI region could extend the number of loops for regions earlier in the same track.
The Piano Roll now updates as expected to show the currently selected MIDI take.
Resolves an issue in Logic 9.1.1 which could cause the Score to not display all notes from a region that had been split with the Scissors tool.
The appearance of downward slurs and ties has been improved in the Score window.
When pasting MIDI events into the Arrange area, the playhead no longer jumps unexpectedly to a position far to the right of the end of the pasted content.
Instruments and Effects

Amp Designer now reliably maintains saved non-default EQ settings when a project is reloaded.
The Wah Wah stompbox now responds more reliably to expression pedal input.
EXS24 loads and plays back instruments that use short AAC or ALAC audio files when Virtual Memory is disabled.
Corrects an issue that could cause the “Next Plug-in Setting or EXS Instrument” key command to change settings on the wrong plug-in.
It is possible again to copy and paste sequences between Voices within an Ultrabeat pattern.
A Software Instrument with a Send set to Post Pan no longer loses audio output when the Aux it sends to is soloed, and the Software Instrument’s pan is adjusted.
Software Instrument tracks with the AUNetReceive plug-in no longer exhibit excessive latency.
The Noise Gate no longer creates audible clicks while processing audio with the plug-in GUI open.
Double-clicking an insert slot will close the associated plug-in if it is open and set to Link Mode.
In the EXS Editor, a mouse roll over of an audio file name now displays the full path for the file.
The EXS Editor now properly displays all Groups even those that have the same name.
File Handling and Management

Resolves an issue which sometimes caused the text after a period in a plug-in setting name to be lost on the first save of the setting.
Resolves an issue from Logic 9.1.1 which forced exported MIDI files to have a .logic extension rather than the .mid extension.
Import of folder tracks from other projects now works reliably.
Bank and Patch names in Multi-instruments now import correctly when using the Track Import feature.
Resolves an issue which could cause the Track Import window to become non-functional in certain rare cases.
Import of stereo Input Channel Strips from other projects now works reliably.
It is again possible to drag split stereo audio files from the Finder into the Arrange window.
The mute status is now maintained for tracks imported from other projects using Selective Track Import.
The “Export Region as Audio File” and “Export Track as Audio file” functions now add tempo information to the exported files.
The EXS24 now automatically locates samples stored in a folder inside the Project Folder that have any of the following names: “Samples,” “Sampler Files,” “Sampler Instruments,” or “Audio Files.”
When a project is opened from a project folder that has been copied, EXS24 now loads samples from the copied location instead of the original.
It is now possible to drag and drop an AIFF audio file copied from a CD into the Audio Bin in the Media area of the Arrange window.
The project name is no longer truncated if a period is added to the project name when performing a Save As for the project.
General Issues

Resolves an issue where applying a crossfade with the crossfade tool might affect existing crossfades on the same track.
A marker is no longer created unexpectedly when the Open Marker Text command is used.
The relative movement of the mouse when editing multiple automation nodes has been improved.
The mouse pointer no longer incorrectly shows the Freeze pointer when editing volume, pan, send, mute or solo automation on frozen tracks.
Help tags for the Marquee Strip now show the correct range.
Soloing an Auxiliary channel strip whose source is a Bus from another Auxiliary channel strip now works as expected.
Copying a MIDI region on a ReWire track no longer creates an unexpected new track.
Cutting a region at a point earlier than the anchor at high zoom levels no longer causes the region to move unexpectedly.
Plug-ins now open with Link mode enabled when they are invoked by entering Plug-in edit mode on a remote control surface.
When a channel strip is muted, pre-fader sends on the channel strip are now muted as expected.
Reordering multiple Control Surface objects in the Control Surface Setup window now behaves more reliably.
Performing comp edits while recording will no longer create graphic artifacts in the Take Folder.
The behavior of the key commands to adjust Marquee selection borders based on transients has been improved. See this article for details.
There is no longer audible stepping with automated volume changes at low fader levels.
Touch automation mode now works correctly with Sculpture's Object Position 2 parameter.
Quantize parameters are now correctly maintained when a region is divided.
The vertical position guide when moving/copying a flexed region is now correctly positioned at the left edge of the region in projects that start earlier than position 1 1 1 1.
The Optimize file(s) command now properly affects both channels of a split stereo file.
Delete now works properly on selected regions within undisclosed groups in the Audio Bin.
Resolves an issue introduced in Logic 9.1.1 that could cause channel strips with default names to display incorrectly on EuCon control surfaces.
The “Reset All I/O Labels” command once again works as expected.
Regions dragged from the Audio Bin to tracks within folders in the Arrange window are now correctly positioned.
Contextual menus now appear as expected when Control- or right-clicking entries in the Audio Bin in the Media area of the Arrange window.
Performing Undo after adding tempo events to a project no longer inadvertently modifies the selections for the active comp in a take folder.
Regions with a negative value set for Delay in the Region Inspector are now rendered properly with Bounce Region in Place.
Bounce Regions in Place now works properly on record-enabled audio tracks.
The current scroll position in the Audio Bin will not jump unexpectedly after renaming an audio file.
The color and icon assigned to a track are now properly maintained when tracks are imported using Selective Track Import.
Using the Backspace to remove all characters in the File Browser’s search field no longer causes it to lose key focus.
Imported linked stereo files will now load with all other audio files in a Project without sometimes displaying a dialog that states "Unequal Stereo Regions Corrected."
The MIDI channel number is now appended to the channel strip name when new tracks are created using the “New Track with Next MIDI Channel” menu option.


"Logic 9.1.2" > read the full post

Nothing to do with audio....

Click here...
Use the arrow keys to move around, and the spacebar to shoot.... Perfect for Dirty Singh to remove all the Counterfieter posts!
(Also works on most other web sites - right-click to copy link, go to your website of choice, paste into the browser and press Enter)

For the curious...

javascript:var s = document.createElement('script');s.type='text/javascript';document.body.appendChild(s);s.src='http://erkie.github.com/asteroids.min.js';void(0);


"Nothing to do with audio...." > read the full post

Thursday 14 October 2010

Free Public Lecture - Robin Millar on Producing Vocals

The artofrecordproduction.com are holding a free public lecture by Robin Millar (Google him - seriously!). Read on for details........

The London College of Music Research Centre presents...

Making Records Lecture Series

Robin Millar talks about Producing Vocals

Thursday October 28th at 6.30p.m. in TC102
London College of Music, TVU.
St. Mary’s Road. Ealing W5 5RF

Recording a singer is often the toughest part of making a record. Grammy and Brit Award winning producer Robin Millar has over 150 platinum, gold and silver records to his name and has recorded 44 number one hits including Sade’s Diamond Life album. In this free public lecture Robin talks about his strategies and techniques for getting the right performance from a singer and the best ways to record it. Drawing on his huge experience from an extraordinary career, Robin will use examples from his own productions to deliver a lecture that will be invaluable to aspiring producers, sound recordists and performers alike.

Entry Is Free, Just Come Along…

How to get there.
(Part of the Faculty of the Arts’ Creative Practice Research Project)



"Free Public Lecture - Robin Millar on Producing Vocals" > read the full post

Monday 11 October 2010

The Jam



The LSS jam night is back in effect...




A small clip of the latest jam session in studio 2, featuring some guest players from the groovy Bambus City Strut and the inimitable "Wolfman"...




maningrey




"The Jam" > read the full post

Sunday 10 October 2010

The Vestax Pad-One MIDI Controller



The Vestax Pad-One is a new MIDI pad controller that can be used to control any kind of MIDI device, including syntehsizers, samplers, drum machines, and electronic drums.

Pricing and availability are TBA. Read on for more details, and to watch the demo..........

Features include:
  • 12 velocity & pressure sensitive LED backlit pads
  • Individual LED colour for each bank
  • MIDI message for each pad can be selected with the Pad-One
  • Real time control XY touch pad
  • Solid aluminium die-casted robust chassis
  • Full control of ROLL button tempo with the TAP button
  • MIDI cable connection for control over various effect and sampler devices
  • USB plug & play
  • Excellent portability





"The Vestax Pad-One MIDI Controller" > read the full post

Free Drum Samples



MrTheBigMan has released a new free drum sample library, E|Drums 2.0, which features "drums, drums and more drums dedicated to all types of electronic music."

The library features 318 free drum samples altogether, divided between two different sound sets: foley (110 samples), and synthesised drum sounds (208 samples). You can download it from MrTheBigMan's site in different formats.



"Free Drum Samples" > read the full post

Space Designer Manager for Logic



3R Audio has introduced the first version of Space Designer Manager - an add-on designed to extend the usability of Logic Pro's Space Designer impulse reverb plugin....

Space Designer Manager consists of 2 parts:
  • On the left side, you find the Generator which batch generates setting files for Space Designer compatible impulse responses. You can process single impulse response files, folders or multiple selections as you wish by drag and drop or the open file dialog. The program will process all files in folders and folders in folders with the format aif, wav, sd2 and sdir.
  • On the right side, you have the Relinker, which relinks setting files with the impulse responses they were originally pointing to by selecting a setting folder and the according impulse response folder. Relinker lets you choose the right file if there should be any files with the same name.

Space Designer Manager uses Keyfile protection. Its Preferences Drawer lets you set various options for the pst setting file generation. You can decide if you want to use volume and latency compensation or not, and also set the wet/dry levels. The Help Drawer gives you instant information with a single click without having to open a help menu or separate help file. Check the 3R Audio site for more details, and a demo version.

Space Designer Manager is available now for 29 Euros (about £25) until January 1, 2011.

Minimum system requirements: Apple Intel based Mac computer running MacOS 10.6, 1Gb RAM, Apple Logic.



"Space Designer Manager for Logic" > read the full post

Seaquence - "an experimental musical petri-dish"

Adopting a biological metaphor, Seaquence lets you create and combine "musical lifeforms" to create compositions. This is a short demo showing how it works:



Project by Ryan Alexander, Gabriel Dunne, and Daniel Massey.

So addictive! Try it out here.





"Seaquence - "an experimental musical petri-dish"" > read the full post

Free Drum Machine for Windows



AREX 2011 is a free VSTi drum module, based on a hardware drum machine from the early 80’s......

Features:
  • 16 pads
  • 29 embedded drum samples of RX11
  • 12 individual/group outputs
  • individual volume, pan, accent
  • assignable MIDI note within 36 – 99 range
  • VST automation
  • MIDI automation of essential controls
  • 16 part multitimbral MIDI Out flow
  • can be used as a MIDI controller of sorts
  • bundled with RX11 MIDI swing templates and 55 demonstrational patterns

Download it from the Bayan site by clicking on the drum machine image.


"Free Drum Machine for Windows" > read the full post

Friday 8 October 2010

Zoom for Audio

While browsing round on boingboing.net, I spotted this - a new system called AudioScope, that uses an array of 300 time-aligned microphones to zoom into any area of a sports arena....
Not much more in the way of details, but check out this vid!


"Zoom for Audio" > read the full post

Wednesday 6 October 2010

%$@& OFF




People are annoying, as anyone caught in Monday's tube strike can attest, however one type stands like a colossus over all other beings when it comes to getting on ones goat..THE MUSICIAN!





Below is a list of things all musical people do which cause mental pain for us normals. "Let him who is without sin cast the first stone"...OK then:


Other members of a band who are not the singer mouthing the words to songs as they play.


Playing covers on London Underground to "entertain" commuters who look like they want to stab them.


Using words like "passionate' and "spiritual" when they talk about music.


Arriving late.


Saying they have no interest in money before selling all the tracks from their concept album about the Holocaust to advertise Special K.


Saying that "every other studio they have been in" lets them run over time without charging extra, eat flaky pasties over the mixer and order everybody about like they are their personal slaves...well fuck off to those studios then!


Having tattoos and torn clothing despite being neither a sailor or poor.


Playing expensive instruments despite being unable to strum an A chord.


Customising said expensive instruments to make them look older and more played..just play it doosh bag.


Testing out guitars in shops.


Saying they like "all music".


Saying their music is "hard to describe", it isn't, it sounds like Coldplay.


Saying they sound a bit like "Jamiroquai", like that's a good thing.


Pretending to be interested in politics and other people.


Pretending to be younger than they are.


Going on and on and on about how much they worship Bob Dylan, Bob Marley, Bobby Womack and if American, Bob Smith (The Cure).


Jamming in E.


Saying "what's wrong with a heavy blues jam?"


Saying music is "not about the technique but the feeling..maaan".


Conversely sending you videos of someone playing Mozart's Requiem on a triple neck sitar at 500 bpm like this is anything to do with music.


Having dreadlocks or saying "aks" when they are not black, street or in anyway rasta.


When successful appearing on Jools Holland.


"Discovering" someone you have listen to for years and droning on about them in the NME.


Being Damon Albarn.


Having hair and glasses like Morrissey.


Saying that music is "a universal language".


Closing their eyes when playing or singing.


Saying they have "connections" or "contacts" in the industry...they don't.


Saying they will produce you if you give them the publishing for all your songs.


Asking how to make their music "louder like on records".


Covering classic deathless songs so badly you wish to stick a screw driver in your ears every time you subsequently hear the original.


Wearing Misfits T-Shirts when they don't like the Misfits..who does?


Telling engineers to make their guitar "sound more purple".


Indie musicians who start listening to jazz and classical music and let this "influence" their "new direction".


Inviting you to their gigs.


Asking you what you thought of their gigs.


Making terrible music no one wants to hear, while the world slides towards capitalist totalitarian world government and the planet dies screaming.





maningrey



"%$@& OFF" > read the full post

Tuesday 5 October 2010

Mixxx - free, open source DJ software


If DJing is your thing, it might be worth checking this out.....
Mixxx is free, cross-platform DJ mixing software. It works with most standard DJ controllers, including the Hercules DJ Console MK2, RMX, and Stanton SCS.3d, but also has a MIDI learn feature, allowing you to use almost anything you like.
It also has support for Traktor Scratch, and FinalScratch vinyl, as well as Serato CD for control from CDJ units.
All in all, looks pretty promising. Head here to check out the rest of its features and to download..


"Mixxx - free, open source DJ software" > read the full post

Sunday 3 October 2010

SonicWORX Isolate

Interesting find this - sonicWORX have released their Isolate software, that can extract the vocals from a mix.....
There's a few vids of this in action on YouTube - here's one at Musik Messe from last year, which shows them separating Peter Gabriel (but making him sound oddly like he's vocoding a pan pipe)..

But this shows them using the software to remove vocals....

Interested? Head to their website and try out the demo...


"SonicWORX Isolate" > read the full post